Published in:
TDR: The Drama Review 61.2 (Summer 2017): 180-182

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Paul Bonin-Rodriguez’s timely work serves as a vital call to arms for working artists to hone their own infrastructural imaginations and to reimagine their capacities for collaboratively performing policy — indeed, to reimagine “how artists can more effectively become the agents and cocreators of policy’s work” on both the local and national level.

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