I am currently developing a number of projects: a biographical reimagining of Brecht’s Mother Courage as a site of the destruction of the American “home”; an existential exploration and racial deconstruction of our “Golden Age” of television; a devised investigation of the five pages in the Talmud that tackle the “Messiah”; and a gustatory and olfactory exploration of NYC neighborhood texture. I am also in the midst of two book projects: the first is an edited collection that examines the stakes of continuing to use “postdramatic” as a lens for studying contemporary performance; the second is a monograph about the evolution of performing arts policy in Berlin – the German capital city serves as a paradigmatic site to explore how theater and performance provide us with means to reshape our infrastructures of public life.
